Born and based in London, her portfolio speaks for itself as to the importance it places on inclusive representation, both in front and behind the camera.
With a sentimentality for the creativity of childhood, her work seeks to reinvent: Whether a client brief or creative stimulus, the ability to imagine the world differently is present throughout her films. Thanks to a formative training in dance she brings to screen a kinetic musicality, most notable in her choreographic camera work and synchronised editing style.
Emily’s background in advertising has seen her work on a variety of projects, including the United Nations’ Cannes Lion and D&AD award winning campaign, The People’s Seat, as well as films for clients such as Net-a-Porter, Facebook, and Universal Music.She is currently commercially directing and in development on her first narrative short, Get a Grip; a dystopian comedy about disability and futurism.